Those are the three sub-conscious demands that drive Hillier-Smith’s every edit. “You have to start here … and I as an editor have to find a way to bring you to this emotional feeling,” said Hillier-Smith.Ģ) Every Edit Needs: Emotion, Story, and Rhythm One that prioritized the viewer’s journey. Not only was he able to take a step back to truly perfect every frame, but he had the chance to develop an editing philosophy. He was able to recommend shots to Paul and edit around a shared vision - rather than a Google drive and a hard deadline. Through this, Hillier-Smith had a self-described creative renaissance. The vlogs duration dropped from around 15 minutes to four or five. Hayden edited 443 videos in 476 days for Logan Paul's channel Kiana Govind “Hayden, it’s game time,” Paul told Hillier-Smith, emphasizing the risk of complacency. It became, “How do we make this great?” said Hillier-Smith “I want to ensure that while you’re having a tough day, we can give you a few moments to forget about it”įor Hillier-Smith and Paul, this meant no longer just uploading what got done. “We know that a lot of people are having a very tough time,” Hillier-Smith said. It was during that time that Hillier-Smith had an epiphany. With an upload deadline a mere six hours away, there wasn’t time for a reshoot or version two.īut during the pandemic, Hillier-Smith and Paul moved away from daily vlogs and uploaded fewer, but higher quality videos three times a week. While the time crunch of editing daily vlogs led to Hillier-Smith and Paul’s signature style, it left very little breathing room. It was a “constant conveyor belt of momentum,” said Hillier-Smith. Waking up in London, Hillier-Smith would be greeted with a folder of footage, edit all day, and upload the finished product. Paul would film in Los Angeles and upload the footage around 11 p.m. When Hillier-Smith started, the production of Paul’s vlogs was quite literally 24/7.
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